THEORY TIP: On suspended chords, play a major pentatonic scale built on the 4th degree. Avoid the 3rd (major or minor) other than as chromatic passing tones. Common bass player mistake!
THEORY TIP: On suspended chords, play a major pentatonic scale built on the 4th degree. Avoid the 3rd (major or minor) other than as chromatic passing tones. Common bass player mistake!